Alma Tadema
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8 January 1836 – 25 June 1912. Most renowned painters.

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Camille Pissaro
Woman in a Field;Spring Sunlight in the Meadow at Eragny,summer (san07)

ID: 20784

Camille Pissaro Woman in a Field;Spring Sunlight in the Meadow at Eragny,summer (san07)
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Camille Pissaro Woman in a Field;Spring Sunlight in the Meadow at Eragny,summer (san07)


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Camille Pissaro

1830-1903 French Camille Pissarro Locations Painter and printmaker. He was the only painter to exhibit in all eight of the Impressionist exhibitions held between 1874 and 1886, and he is often regarded as the father of the movement. He was by no means narrow in outlook, however, and throughout his life remained as radical in artistic matters as he was in politics. Thadee Natanson wrote in 1948: Nothing of novelty or of excellence appeared that Pissarro had not been among the first, if not the very first, to discern and to defend. The significance of Pissarro work is in the balance maintained between tradition and the avant-garde. Octave Mirbeau commented: M. Camille Pissarro has shown himself to be a revolutionary by renewing the art of painting in a purely working sense; at the same time he has remained a purely classical artist in his love for exalted generalizations, his passion for nature and his respect for worthwhile traditions.   Related Paintings of Camille Pissaro :. | Morning Sunlight on the Snow, Eragny sur Epte | Sunlight on the Road, Pontoise | The Church of St.Jacques at Dieppe (san08) | Hoarfrost | Washerwoman, Eragny sur Epte |
Related Artists:
Andras Marko
painted Landscape with Charcoal Burners in 1861
Job Berckheyde
Dutch Baroque Era Painter, 1630-1693
MAULBERTSCH, Franz Anton
Austrian Painter, 1724-1796 Austrian painter. His work as a painter of both oil paintings and frescoes on religious, mythological and occasionally worldly themes spanned the second half of the 18th century, adapting a Late Baroque training to the onset of Neo-classicism but remaining strikingly individual throughout. His fresco work, mostly still in situ in widespread central European locations, came at the end of an artistic tradition and was for long neglected, being far from major cultural centres; but it is now seen to establish him as one of the leading painters of his century






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